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#1 |
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Administrator
Join Date: Oct 2002
Posts: 795
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Apple and music labels accused of shortchanging artists
A fresh class action lawsuit charges Apple's iTunes, major online music shops, and top record labels with performing an end-run around a musician's permission and his royalty payments.
Dawg Music, a relatively small label run by bluegrass musician (and former collaborator with Jerry Garcia) David Grisman as well as his business partner Craig Miller, is accusing those that carry Grisman's catalog of knowingly selling his works with sometimes poor or nonexistent compensation, and without his consent. Filed in its most recent form on May 3rd by the Law Offices of Jeffery L. Graubart and represented by Strange and Carpenter, the suit makes a two-part complaint that implicates both labels and their online store partners. Two of the largest record producers in the industry, Universal Music Group and Warner Music, are alleged to have neglected Dawg Music's copyrights and royalties when signing deals with major online services. In effect, the two music giants are said to have agreed to online distribution of Grisman's library without first asking the permission of Dawg Music, which owns the copyrights. By doing so, Universal and Warner have not only made unauthorized hard copies of the music but have also usurped control of the royalties due for each album: the lack of communication has meant "gross underpayments" of the expected dues, Dawg Music says in the 26-page filing. Online stores are guilty by association, according to the complaint. The suit claims that in addition to Apple's iTunes, seven other outlets -- AOL Music Now, Buy.com, Microsoft's MSN.com, Napster, RealNetworks' Rhapsody, Wal-Mart.com, and Yahoo Music -- are also culpable by agreeing to host and sell the unsanctioned copies from their servers. While all eight pay royalties on the music in question, the failures by Universal and Warner to land specific online contracts have resulted in the direct-download services trading songs without genuine consent; money is sent to the intermediate labels, not the copyright holders. Sidestepping the copyrights this way has caused "irreparable injury" to Dawg Music, the suit alleges, and will continue to inflict damage as long as the present-day contracts for online music remain in place. Most of the blame lay at the labels' feet for both infringing on copyright and for leading the online services to commit accidental infringement; but all the targets of the lawsuit, including Apple, would have to compensate Dawg Music should it win its battle in the central California court hearing the case. The reparations could be comparatively severe for a royalty case. Although the plaintiffs hope to use their time in court to prove the damages and missed profits they expect to receive, the alternative remedy would have each defendant pay $150,000 for every work whose copyright was violated -- resulting in millions of dollars spread across the involved defendants. For a successful case, however, the attorneys will have to prove that none of the existing clauses in Dawg Music's agreements with Universal and Warner already cover the online distribution at the heart of the matter. When contacted by AppleInsider, however, representing attorney Brian Strange declined elaborating on the claims. "We do not comment on pending litigation," said Strange. "[Only] the complaint is a matter of public record."
EIC- AppleInsider.com
Questions and comments to : kasper@appleinsider.com |
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#2 |
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Registered User
Join Date: Apr 2006
Location: LA
Posts: 290
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I don't really see how they can sue Apple, given the fact that Apple was never in privy with them. Their beef is really with the labels.
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#3 |
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Registered User
Join Date: May 2007
Posts: 5
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This doesn't sound like a "class action".
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#4 |
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Registered User
Join Date: Aug 2005
Posts: 97
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Sue the record labels to death!
Time they got a dose of their own medicine. Blood sucking syccophants! Did you know that they charge artists for every little thing they do on his behalf? parties, limo, album artwork, studio time, etc. These are not gifts by the labels, they deduct these expenses from the royalty payments. And which artist really knows or keeps tracks of, how much these things really cost?
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#5 |
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Global Moderator
Join Date: Jun 2004
Location: .US
Posts: 9,127
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I really don't see how any of the online stores can possibly be culpable except under very unlikely circumstances. I don't think that a dozen different high profile legit stores would knowingly distribute infringing wares.
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#6 | |
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Banned
Join Date: Nov 2003
Location: LA
Posts: 938
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Quote:
![]() The Problem With Music |
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#7 | |
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Registered User
Join Date: May 2004
Posts: 1,008
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Quote:
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#8 | |
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Registered User
Join Date: May 2004
Posts: 1,008
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Quote:
But it is nice to see them suing the labels for $150,000 per sale. Should make them know what it feels like to be 18 and getting sued for sharing"The Macarena" via a P2P program. Makes me want to go out and buy up all their music on the iTMS, just to raise the bill even more! |
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#9 |
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Registered User
Join Date: May 2004
Posts: 1,008
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It depends on whether these are the only ones affected by this problem, or that there are other copyright holders who've been end-arounded by the same tactics.
And did you see the quote from the guy's attorney? "We do not comment on pending litigation." Classic! It's like he's auditioning for a job as an Apple attorney! |
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#10 |
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Registered User
Join Date: May 2005
Posts: 8,453
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Of course, we all know how popular bluegrass music is these days...
Sounds like his music isn't selling.
"The natural progress of things is for liberty to yield, and government to gain ground."
—Thomas Jefferson Proud AAPL stock owner. |
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#11 | |
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Registered User
Join Date: May 2007
Posts: 1
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Quote:
But times are a changing: you can produce high quality recordings from your own home studio (or one of a friend), do your marketing and promotion on places like YouTube, and sell your music digitally in well known digital stores like iTunes and Napster. Places like TuneCore are currently working to change the model of taking percentages for digital delivery--their crazy thought is that if they don't offer you advances for recording studios, marketing and promotion, and aren't fighting for self space in physical stores that they aren't entitled to "exploit your masters." They also have a free PDF about surviving the music industry that sums up what services studios provide and your alternatives. Surviving the music industy |
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#12 |
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Registered User
Join Date: Dec 2004
Posts: 373
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Absolutely true. Only the big musicians get paid. It has been like that for too many years now. It is obscene, but true.
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#13 |
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Registered User
Join Date: May 2005
Location: Vancouver
Posts: 209
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Dawg eat Dog industry...
Ha.. first to say that. If the major labels all got blown up tomorrow, and CEO's marched out and shot in public. You would see the most exciting musical revolution ever. The music would flow from roof-tops to alleys, parks to urban streets. And it would be GOOD music. They stifle music to promote their own agenda to such a huge degree, it's insanity. The recent ruling in the US for Online Radio streaming case in point. Good for small little independant labels to start nipping at the behemoth labels who think they are gods - of not just music, but society. Expect Dawg to be bought out by the end of this QQ, and the lawsuit to be dropped. |
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#14 |
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Global Moderator
Join Date: Jun 2004
Location: .US
Posts: 9,127
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I don't understand why you say that or why you think it is necessarily relevant to the case at hand. You should recognize that sales and rights to sell are two different issues, and the contention is that Uni and Warner didn't have the online rights to the works in question.
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#15 | |
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Registered User
Join Date: Jun 2003
Location: North America
Posts: 859
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Quote:
Doubt it... pockets not deep enough... |
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#16 | |
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Registered User
Join Date: May 2004
Posts: 1,008
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Quote:
This kind of shows why older music is so spotty on the iTMS. The contracts signed then don't cover the distribution, and getting updated contracts takes effort. Especially early on, you might recall, some music would be on the iTMS one week, and then next week half of its gone. You still see older albums where half the songs are missing. The later contracts cover this area specifically, so newer stuff is complete. BTW, this is why, when it comes to DVDs for TV shows, newer shows appear almost immediately, but some of the older shows, even popular ones, are hit or miss (well, demand has a part of that too, but definitely contracts, licensing, etc comes into play - why WKRP has been destroyed since it originally aired). |
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#17 | |
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Global Moderator
Join Date: Jul 2002
Location: UK
Posts: 3,820
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Quote:
If people didn't like what's played on commercial radio, they wouldn't listen to it. If they didn't like mainstream artists, they wouldn't buy or pirate their output, and they wouldn't pay to see them live. One must assume from your comments that you dislike mainstream music; you just have to accept that you are in a minority. Big labels peddling music you don't like in no way eradicates the potential for artists you do like creating music. |
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#18 |
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Registered User
Join Date: May 2005
Location: Wisconsin
Posts: 2
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"I don't really see how they can sue Apple, given the fact that Apple was never in privy with them. Their beef is really with the labels."
One of the great privelages we have here in the US of A is the right to sue anyone for anything at any time. You don't need any reason or proof, jst a few bucks to file. It's then up to the defendants to prove their innocence.
John
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