Quote:
Originally Posted by
teckstud 
and such a low grade camera- no flash, no zoom?? ZZZZZZZZzzzzzzz
Quote:
Originally Posted by
mcmlxix 
The camera is lame for me. When I take photos, I dont want to use a toy camera. But I can see how the cameras inclusion will be a hit with teens and extended teens taking pictures of themselves acting like d-bags to email to each other and post to social networking sites.
In a more perfect world, said Touch will also have OLED.
1) OLED? Yesss. My new Samsung TL320 has one - at least iPTouch size and it's nummy - off angle/axis and daylight viewing are both the best I've seen.
2) re "lame" and "toy" cameras: the comment below saves me much of what I wanted to say, and I agree with it heartily, freeing me to add another angle:
sure, the latest DSLR's and Red videocams are wonders, but step back, o thou gadget-spoiled generation and realize the camera in the iPhone today is leagues more capable as a photographic instrument than much of what the best photographers in the world (and some of the best in history) were using for many decades (let alone that it shoots color, and even moving images with sound).
this cam is already responsible for a New Yorker cover, and world-reknowned photogs like Nan Goldin have worked primarily with low cost (film) cameras for decades. others work exclusively with very primitive cameras like the $20 Holga because of its less than perfect sharpness and even focus, or build their own lensless pinhole cameras with amazing results.
my nephew constructs his own 1840's style gear and coats his own glass plates with egg albumin and chemicals to make his 45-90 second exposures, some of which are now in permanent curated collections. of course he also enjoys working with a medium format digital sensor and $5,000 lenses as well. most pros do.
still, it's the vision of the mind behind the eye behind the camera not the tech of the gear which determines whether one ends up with "bad snapshots" or real art. the camera records the image, but the person understanding the limits of their gear determines whether it's memorable or mundane.
and as GQB below notes, even many of those "bad snapshots" may end up becoming treasured heirlooms if they capture anything of moments and people you love.
finally, I don't believe DaVinci would have bitched about "a toy" if someone could have traveled back and given him a Kodak Brownie, and plenty of film, paper and chemistry for it.....
Quote:
Originally Posted by
GQB 
A 'low quality' camera that you actually have with you and use is infinitely better than a high quality one that's not with you.
I had a high quality Cannon video camera for years, on which I recorded probably about 5 final hours of video. I dreaded lugging it along, and as a result, usually didn't. NEVER got spur of the moment, fun, memorable video on it.
I got a Flip Mino (not even the HD version) and have recorded so much on it that I'm having to buy extra storage to keep up. And I now use my iPhone happily.
People get WAY too hung up on the technical quality of photos and video and forget why most people use them... to get memories of their friends and families that you can look back on and enjoy. I have hundreds of horrible quality, Brownie photos from 50 years ago from my family that I wouldn't trade for anything, and I know I'll feel the same about the ad hoc video I've captured of my family as well.
I can't wait to see what my daughter captures with the touch I'll be buying her next week.