One thing that bothers me about this review, and a couple of others, is that they don't compare like to like.
Why compare the old special order, and more expensive 2.33 GHz model with the now much less expensive standard 2.4 GHz model?
If this is going to be properly done, then it should have been the $1995 2.16 GHz model it was compared to. Or they should have gotten (or waited for) the high end 2.8 GHz model. The pricing would have been closer are well, in addition to having the extra 1 GB memory, and larger, slightly faster HHD.
This gives the wrong impression of what this upgraded model actually does when compared to its ancestor, particularly when considering that it's $200 cheaper as well.
And as far as the statements about the glossy screen goes, it's wrong as well.
Color and contrast is more correct on glossy models, everything else being equal. The very last monitors to go matte were the $5,000 and $10,000 color correction models. Why? Because matte surfaces distort color and contrast. It is also, contrary to common opinion, more difficult to remove reflections which DO occur on matte screens. The reflections are not as bright, or as sharp, but they are there nonetheless, and are spread out over a larger area of the screen.
Reflections were much harder to get rid of when screens were curved. A flat screen can be turned just a bit, most of the time, and the reflections will disappear, whereas with the curved screens, matte or not, that was not the case.
While I'm not saying that it's perfect for everyone, it's not nearly as much of a problem as some say either.
This is so wrong, it's hard to know where to begin:
Quote:
The same vivid colors that make the screen "pop" also distort the perceived colors for producers trying to judge how well the image will translate to someone's print ad or DVD. Reflections play even more havoc with accuracy by hiding detail and blending into the on-screen colors. Using a fixed color profile mitigates the problem but just shouldn't be necessary for a system being marketed to both home users and pro customers alike.
He obviously knows little about high end color work or he wouldn't have said that.
PS has, for as long as I remember, had the ability to lower the saturation of the images you are working with, to enable one to see how that image, on screen, would look at print, without changing the actual color of the image itself. That is because EVERY monitor distorts the color compared to CMYK, and some other print technologies (but not for other technologies).
It's simple to do. If you do this kind of print work you know about this (you'd damn well better!).
Go to Color Settings. Click on More Options. Go to the bottom of the dialog box. It will have a box saying Advanced Controls. Go to the first one which is called Desaturate Monitor Color By:. You can then take a sample print standard for the kind of job you are doing. With that print under the proper lighting, click on the selection box in front of the control, you can then adjust the desaturate level until it matches the print.
Of course, first you will have set PS up properly.
Doing this gives you the correct color level you need.
This works better with a glossy screen, as you don't get the slight haze over your image that matte tends to give (more on some screens than others).
I don't know what he means by saying that a "fixed color profile" shouldn't be necessary.
In order to have ANY hope that your color is correct, even for home use, a color profile for your monitor is REQUIRED! SRGB is standard for most monitors, but Apple usually supplies one for their own models.