Very touchy.
IMHO, in recent years Apple has been deceiving the public in lowering their "higher standards" when comparing their products with the competition, and this doesn't apply solely to the displays which is the issue here, but I'll stay on topic!
The benefit of using more mainstream components in their computers is more affordable machines. In the case of the MacBook, well, it's an entry level laptop, what can one expect! for the pricier MacBook Pro, it's a totally different beast, one would expect to have much better components - especially the screen - then it's lower end counterpart.
I tend to compare the 6 bit color + "software enhancement" to 8 bit color as the zoom on a digital camera or the resolution of a scanner:
Digital cameras typically have an Optical Zoom of (#)X, that can be enhanced with the use of digita enhancement, or as we call it by doing interpolation. The same applies to scanners, which have a set "optical resolution" and a Maximum resolution which is achieved by software interpolation as well.
Depending on the visual acuity of the user, the artifacts, banding, or whatever you want to call it will be more or less visible and/or bothersome to the eye. NOT ALL EYES ARE CREATED EQUAL !!! Especially true for some "professionals" whose trained eyes are more sensitive to those artifacts then the general public. Claiming that boosting a displays colors via software from 262,144 to 16,777,216 while NOT BEING PERCEPTIBLE BY THE HUMAN EYE is quite a bold claim and I don't buy it for a minute. I agree it will not be visible for some, but I can plainly see the difference.
This is why manufacturers of high-end monitors come up with 10 bit and 12 bit displays. I personally find that the Apple Cinema Displays - acknowledging the fact that they are superior to most mainstream display, but then again, they are not mainstream! - with their true 8 bit color are not precise enough for professional photo editing, especially for commercial printing: As soon as any calibration is applied to the screen, the LCD no longer displays 256 shades per color channel and the actual number of colors decrease quite rapidly. Banding can be visible and bothersome for a trained eye. (See note below about No of colors).
BUT: digital cameras and scanners have both the optical zoom/res and digital zoom/res stated either on the packaging or in the documentation. This is where Apple failed with these new displays. Apple should have made a mention of this in the specs. Although if you look at specs of all recent (2004 and up, haven't checked older ones) Apple computers with built in displays, or at the specs of teh Apple Cinema Displays, there is absolutely no mention of true bit/color on any model. They state: "support for millions of colors" in every case, with no more elaboration on the subject.
Now some will say that nobody else does so why should Apple do it? My answer to that is that Apple has been separating itself from mainstream computer makers by it's innovation and higher standards of both hardware components AND honestly about it's claims (although there were some exception, I have to admit, but Apple has generally a very good track record). They "could" have been honest about their software enhancement to achieve "millions of colors".
So basically, one expects to buy a better machine when he/she buys an Apple machine.
To get back to the 2 photographers who initiated the suit:
1-a real "pro" would not expect a laptop to perform at the same level then a real pro workstation.
2-a real "pro" would have tested the laptops BEFORE buying them to make sure they would be sufficient to their needs, as they would if they purchased a new workstation.
3-The innacuracy of the display has absolutely no impact on the actual photos taken by those photographers. If they need to see "truer" colors, they simply need to view their pictures on a better calibrated workstation.
4-Apple never claimed to have true 8 bit color on those laptops.
5-The fact that they couldn't find enough people to join their claim speaks for itself: quite far-fetched...
I honestly think that they are simply opportunists who tried to capitalize on a technicality. Then again maybe they just wanted to give publicity to this issue in an attempt to make the population aware of this deception - but I doubt this very much.
What did this attempt to sue achieved?
Well the fact that we actually are debating it in this forum is proof that this IS a valid issue in the eyes of certain users.
I have been working in Pre-Press for almost 20 years, and my eye is quite picky when it comes to displays.
I personally tested both the new MacBook and MacBook Pro 15". I would not purchase a MacBook even though its specs are very decent and it performs quite well, simply because of the crappy display, even if it was just for web browsing and menial tasks. for starters, the viewing angle is horrendous, and the glare of the glossy display simply unbearable.
For the MacBook Pro, I find the display to be quite superior then the MacBook's. The fact that they are available in non-gloss is a HUGE bonus for me. The viewing angle is also far better, and color seem more accurate. I would consider buying one for myself, but I would not remotely hope to be able to use it for color correction of photos.
How to calculate actual colors in relation to bit depth per chanel - with a few examples:
The formula is:
2 (no of variable in a "bit", 0 or 1) at the power of x (x=bit per color value) take the total and bring it at the power of 3 [No of color channels in a RGB color display]
Mac Book displays
6 bit color: (2 at the power of 6) at the power of 3 = 64 (colors per channel) at the power of 3 = 262,144
Apple Cinema Display 20" ($700) 23" ($900)
8 bit color: (2 at the power of 8) at the power of 3 = 256 at the power of 3 = 16,777,216
Going Higher end:
Eizo ColorEdge CE Series and CG19 ($1,200 - $1,700 for a 19"), LaCie 324 LCD Monitor ($1460 24" including colorimeter)
10 bit color: (2 at the power of 10) at the power of 3 = 1,024 at the power of 3 = 1,073,741,824
Eizo ColorEdge CG Series ($2,000 21" - $5,700 30"), LaCie 321 LCD Monitor ($1680 21" including colorimeter)
12 bit color: (2 at the power of 12) at the power of 3 = 4,096 at the power of 3 = 68,719,476,736
16 bit per color Scanners (claimed by some manufacturers - true or interpolated?):
16 bit color: (2 at the power of 12) at the power of 3 = 65,536 at the power of 3 = 281,474,976,710,656 - whoa, no display can actually show you this !
NOTE: In the case of Eizo's CG301W ($5,700), the "mother of all screens" IMHO, and it's baby brother the CG221, the manufacturer CLEARLY STATES that the underlying technology is made up of 12 bit per channel hardware but they are using 16 bit processing (internal calculation - same principle Apple is using in the 6 bit displays) to achieve better then 12 bit native color rendering. Hence the hefty price tag...
http://www.eizo.com/products/graphic...ures.asp#16bit
Conclusion:
I personally think that not only Apple but ALL screen manufacturers and comps with built in displays manufacturers SHOULD be forced to have the "true" color depth CLEARLY stated. It might not be an issue for most, but it is a deception regardless.
I agree with using maistream components or lower end technology in a specific product line-up to make it's pricing competitive, but there is no need to camouflage the specs.
Did Apple deserve a lawsuit for this? I think not, but I believe they deserved the (negative) publicity that ensued, as all other deceptive manufacturers do.