Final Cut import question re: 24p video
My friend and I just shot a film in 24p DV, and will be importing it to my Mac later this week. However, we won't have the 24p DV camera for that long, and will only have access to a non-24p camera.
Will it bork the footage or the tapes at all if we were to try to import the 24p video with just a regular DV camera?
Thanks!
Kirk
Will it bork the footage or the tapes at all if we were to try to import the 24p video with just a regular DV camera?
Thanks!
Kirk
Comments
Originally posted by Kirkland
Will it bork the footage or the tapes at all if we were to try to import the 24p video with just a regular DV camera?
It shouldn't. Just set the field dominance on your sequence settings to none to get it back to progressive when you're editing.
Originally posted by Kirkland
I'm sorry, this will be the first time I've ever used Final Cut Pro. What does that mean?
Well, if it's you're first time then I recommend reading the manual since there'll be a lot of things other than this that you'll need to familiarize yourself with.
Under the Final Cut Pro menu, you'll find Audio/Video Settings...
This is where you'll find your capture and sequence settings, and the dominance setting I mentioned. Setting it to none is how Final Cut interprets the video as progressive. Odd and Even refer to interlaced field dominance or in other words which field should be show first for a given frame. If a interlaced video looks gittery it usually means that the dominance is wrong which can then be fixed with this setting.
So running it through a non-24p camera won't damage the video tapes? Or garble the import?
Originally posted by Kirkland
Okay. So I just import normally, even though I'm importing from a non-24P camera, and then after importing go and change this setting?
So running it through a non-24p camera won't damage the video tapes? Or garble the import?
Could depend on the camera. You'll just have to test your config. If the 24P camera is storing the footage as normal ntsc 29.97 (with 3:2 pulldown to convert 24fps to 29.97) then you should be fine. Otherwise I'm not sure.
Then I'll go to where you said and tell FCP that the footage is progressive.... Thanks!
Or is there a way to kill the left channel altogether, and make the right channel a mono channel that will come out of both sides of the speakers?
You all have been a huge help so far. I really appreciate it!
Kirk
Thanks so much Endymion! "Endymion at AppleInsider" is definitely going on the "Special Thanks" list for the credits. :-)
Kirk