Apple Music rival Tidal enables 'master'-level audio quality on iPhone & iPad
Tidal on Monday updated its iPhone and iPad app with access to "master-quality" tracks, a step beyond what the service's HiFi tier normally allows.

Master-quality audio, or MQA for short, is available as an option with a HiFi subscription, which costs $19.99 per month. Only a little over 150,000 tracks are streaming in the format -- each track plays at 96 kilohertz and 24 bits, whereas regular HiFi is in CD-quality FLAC, meaning 44.1 kilohertz and 16 bits.
Tidal claims that MQA files are no bigger than regular HiFi, but the tradeoff is that they require more intense decoding. In fact MQA was previously limited to phones with specialized decoding chips, none of them from Apple.
The HiFi tier can be tried free for 30 days with a new Tidal subscription. A standard Tidal Premium plan is $9.99 per month, though family, student, and military discounts are also available.
Tidal has largely struggled to compete in on-demand streaming. While its name isn't unknown, thanks partly to a deal with Sprint, it's dwarfed by Apple Music's 50-million-plus listeners. Spotify, meanwhile, has over 87 million paid customers, and yet more people on its free ad-based tier.
Tidal is typically seen as having just two advantages: HiFi and exclusives from artists like Jay-Z and Beyonce, both of whom are among the service's celebrity owners. Some others include Daft Punk, Damian Marley, deadmau5, Jack White, Madonna, and Nicki Minaj.

Master-quality audio, or MQA for short, is available as an option with a HiFi subscription, which costs $19.99 per month. Only a little over 150,000 tracks are streaming in the format -- each track plays at 96 kilohertz and 24 bits, whereas regular HiFi is in CD-quality FLAC, meaning 44.1 kilohertz and 16 bits.
Tidal claims that MQA files are no bigger than regular HiFi, but the tradeoff is that they require more intense decoding. In fact MQA was previously limited to phones with specialized decoding chips, none of them from Apple.
The HiFi tier can be tried free for 30 days with a new Tidal subscription. A standard Tidal Premium plan is $9.99 per month, though family, student, and military discounts are also available.
Tidal has largely struggled to compete in on-demand streaming. While its name isn't unknown, thanks partly to a deal with Sprint, it's dwarfed by Apple Music's 50-million-plus listeners. Spotify, meanwhile, has over 87 million paid customers, and yet more people on its free ad-based tier.
Tidal is typically seen as having just two advantages: HiFi and exclusives from artists like Jay-Z and Beyonce, both of whom are among the service's celebrity owners. Some others include Daft Punk, Damian Marley, deadmau5, Jack White, Madonna, and Nicki Minaj.
Comments
If the answer is "external DAC attached to your phone", I'm guessing the target market goes from "low" to "very, very low".
Heck most people don’t even own equipment good enough to hear what’s available in those files. I had no idea my music could sound as full as it does until I got my HomePod, and I have a nice pair of Sony’s higher end headphones.
If you really want an amazing listening experience, get Apple Music, and a couple HomePods and call it a day.
Yeah, most people are happy listening to tin-can crystal AM radio.
Tidal HiFi with FLAC/MQA are absolutely fantastic for who those of us who care about music and sound quality.
xyzzy01 said:
Since January Tidal's Android app has contained a software decoder for MQA tracks, so essentially all Android 5.x+ smartphones become hifi devices.
https://www.theverge.com/2019/1/7/18168482/tidal-master-quality-recordings-android-users-mqa-hifi-premium-ces-2019
I too wish that Apple would offer lossless audio (I run a suite of studios, I care about audio quality, I do not own a Tidal account), but for most people they are happy with 256K AAC, and to be honest for most popular music it is a fine delivery format.
I pay for my streaming services I use daily, but when I just want to dabble with things like HiFi or MQA, I just use the trials.
The xDSD has great reviews. I think it's a worthy successor to the Oppo HA-2 which gave a lot of value for the money.
However, I think there is some merit to listening to HiRes even without an external DAC. The iPhone's can pass 24bit/48khz through lightweight right now, which is better than what most people listen to for audio (that resolution is standard for movies). So the Tidal app could do 24/48 to some lightning-based headphones.
Someday there will be an algorithm that meets the needs of lossless audio while not maxing out your data allotment, but until that day comes -- enjoy Tidal while it lasts, because Jay-Z isn't going to sink cash into that money pit indefinitely.
Would it make sense for Tidal to allow these tracks to be loaded onto a Fiio?
The question I've always had is, can an iPhone, or an iPod Classic give the required fidelity to such HD tracks?
I'm perfectly happy listening on my AirPods, but I am always interested in how far I can push the iPhone with respect to sound quality.
2. They do not currently carry that hardware onboard. (The 6S is physically capable but will not be certified for MQA. FLAC will sound pretty good out of the onboard circuit, though.) To get the full experience from an iPhone you'd need a good external dac/amp like the iFi xDSD or Dragonfly Red.
3. A good pair of in-ear-monitors will change your life. I can't listen to music on AirPods.
I have no data to support this hypothesis, but i wonder if human ears are more forgiving than human eyes? I'm a trained, experienced audio engineer, yet when watching content in my living room with decent quality equipment I notice video artifacts all the time, yet very rarely notice problems with the sound that are caused by bandwidth limitations. If it's true that humans are naturally more critical of visuals than audibles, it may explain why there's a broad appetite for 4K TV but not hi-res audio.
That might also explain why people buy huge 4K TVs then pass the sound through cheap "Home Theatre In A Box" audio systems, or worse yet, sound bars.
It's also possible that audio bandwidth compression algorithms are simply more sophisticated and effective than current video compression systems, so compressed audio actually has fewer perceived artifacts than compressed video.