Apple updates Final Cut Pro, fixing location bug, controversial Blade icon
An otherwise minor update bringing Final Cut Pro to version 10.5.4 has addressed the unpopular new Blade tool icon, plus appears to have resolved region and location bugs.

Final Cut Pro
After the major Final Cut Pro 10.5.3 update in June 2021, Apple has released a smaller revision to its Mac video editing app, but with much-wanted changes. Behind the scenes, Final Cut Pro 10.5.4 seems to have fixed a bug that meant users were having to change their Mac's region or language setting to use certain regular functions.
Apple's release notes states that the update "improves stability when exporting with certain macOS Language & Region preferences." There are also improvements for users playing back H.264 or HEVC media.
It's not known how many users were affected by the problems that this update fixes. A more visible issue, however, was how Final Cut Pro 10.5.4 replaced the icon for the cutting or Blade tool.
From the start of Final Cut Pro, that icon has been of a razor blade -- the tool that was used by filmmakers before digital or non-linear editors existed. In 10.5.3, Apple changed it to an icon of scissors.

Left: Final Cut Pro 10.5.3. Right: Left: Final Cut Pro 10.5.4
As well as objecting to losing the familiar razor blade tool, a vocal minority of users objected to how confusing the new icon was. The cutting part of the scissor icon did not relate to where the tool itself would cut on Final Cut Pro's video timeline.
Now while Final Cut Pro 10.5.4 is sticking to the scissor icon, it has been altered and rotated so that the cutting position is clearer.
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Final Cut Pro
After the major Final Cut Pro 10.5.3 update in June 2021, Apple has released a smaller revision to its Mac video editing app, but with much-wanted changes. Behind the scenes, Final Cut Pro 10.5.4 seems to have fixed a bug that meant users were having to change their Mac's region or language setting to use certain regular functions.
Apple's release notes states that the update "improves stability when exporting with certain macOS Language & Region preferences." There are also improvements for users playing back H.264 or HEVC media.
It's not known how many users were affected by the problems that this update fixes. A more visible issue, however, was how Final Cut Pro 10.5.4 replaced the icon for the cutting or Blade tool.
From the start of Final Cut Pro, that icon has been of a razor blade -- the tool that was used by filmmakers before digital or non-linear editors existed. In 10.5.3, Apple changed it to an icon of scissors.

Left: Final Cut Pro 10.5.3. Right: Left: Final Cut Pro 10.5.4
As well as objecting to losing the familiar razor blade tool, a vocal minority of users objected to how confusing the new icon was. The cutting part of the scissor icon did not relate to where the tool itself would cut on Final Cut Pro's video timeline.
Now while Final Cut Pro 10.5.4 is sticking to the scissor icon, it has been altered and rotated so that the cutting position is clearer.
Keep up with everything Apple in the weekly AppleInsider Podcast -- and get a fast news update from AppleInsider Daily. Just say, "Hey, Siri," to your HomePod mini and ask for these podcasts, and our latest HomeKit Insider episode too.If you want an ad-free main AppleInsider Podcast experience, you can support the AppleInsider podcast by subscribing for $5 per month through Apple's Podcasts app, or via Patreon if you prefer any other podcast player.
Comments
After updating to 10.5.3, certain 24P footage shot on Sony PMW700 is no longer in audio sync. Basically rate conform isn’t working. 10.5.4 didn’t fix it.
And as for blade…or scissors… not in 70 years! I did hear of some people (early Ken Russel in the 60s) without any budget at all who cut film with scissors, scraped the emulsion off the film with a razor blade and glued the pieces together, they were few. People used a glue splicer which neatly trimmed the film at the frame line and scraped the emulsion.
One of the great inventions in the film industry was the tape spicer which used Mylar tape to glue takes together because unlike a glue splice, no frames were lost and you could unpick the spline and try again. This meant that editors could refine a cut to an extent which was previously impossible without reprinting work prints.
I doubt that any of this is important other than it goes to show how far off the plot FCP interface has become from industry practice. I hated Avid but it was less awful.