Classical musicians review AirPods Max
Sometimes forgotten in consumer headphone reviews are the folks that make music to be heard through them. We've asked three professional musicians for their impressions of the AirPods Max as they listen to their favorite classical works.
Musicians from the Imperial Symphony Orchestra
Reviews of Apple's AirPods Max headphones have been largely positive, both from audiophiles and tech reviewers alike. While their sound and noise cancellation features rank high among headphones in their price range, we wanted to investigate if orchestral musicians would confirm their quality.
AppleInsider partnered with the Imperial Symphony, a professional orchestra found in Lakeland, Florida to interview three of their musicians and get their impressions of the AirPods Max. Joining us in the video is Whitney Robles, Principal Flute of the orchestra, Lorenzo Sanchez on Viola, and Jennifer Stahl -- Principal Oboe.
Each musician chose two of their favorite classical pieces to listen on Apple's headphones. Whitney Robles chose "Prelude to the Afternoon of a Faun" by Claude Debussy and "The Planets Suite: Jupiter" by Gustav Holst.
After listening to these works, Whitney commented that she was able to hear individual instruments, even to the point of hearing each entrance. From low instruments and brass to the highest sound in the orchestra, the piccolo, she was able to hear every detail and articulation.
Lorenzo Sanchez chose a string quartet by composer Dmitri Shostakovich and a symphony by William Grant Still. Sanchez described the sound as "very clean" and was even able to pick out the viola part distinctly.
When comparing them to his Sony WH-1000XM4 he prefers the sound adjustment options the Sony offers like EQ, but says the clarity of individual instruments comes through on the AirPods Max.
Having performed in the Imperial Symphony for 30 years, Jennifer Stahl has plenty of live performance experience. As she listened to "Fanfare for the Common Man" by Aaron Copland, Stahl claimed it sounded as though she were "in the middle of the stage" with musicians "sitting right next to her".
In their closing thoughts, each described how using AirPods Max may change their listening habits. Whitney Robles claimed that she would have kids listen to orchestral works using these to pick out specific instruments. Given that many orchestras are still unable to perform in-person, these headphones provide a "live performance" feel when listening.
Jennifer Stahl, while initially surprised at their cost, says they're worth it. She listens to music often at home, but if she had the AirPods Max Stahl says she would listen more often and find greater enjoyment.
Our thanks to the Imperial Symphony Orchestra and its musicians for collaborating on this classical musician take of the AirPods Max. You can read the full AppleInsider review here and find the latest price guides on our site.
You can also listen to the classical works used in this video on Apple Music:
Stay on top of all Apple news right from your HomePod. Say, "Hey, Siri, play AppleInsider," and you'll get latest AppleInsider Podcast. Or ask your HomePod mini for "AppleInsider Daily" instead and you'll hear a fast update direct from our news team. And, if you're interested in Apple-centric home automation, say "Hey, Siri, play HomeKit Insider," and you'll be listening to our newest specialized podcast in moments.
Read on AppleInsider
Musicians from the Imperial Symphony Orchestra
Reviews of Apple's AirPods Max headphones have been largely positive, both from audiophiles and tech reviewers alike. While their sound and noise cancellation features rank high among headphones in their price range, we wanted to investigate if orchestral musicians would confirm their quality.
AppleInsider partnered with the Imperial Symphony, a professional orchestra found in Lakeland, Florida to interview three of their musicians and get their impressions of the AirPods Max. Joining us in the video is Whitney Robles, Principal Flute of the orchestra, Lorenzo Sanchez on Viola, and Jennifer Stahl -- Principal Oboe.
Each musician chose two of their favorite classical pieces to listen on Apple's headphones. Whitney Robles chose "Prelude to the Afternoon of a Faun" by Claude Debussy and "The Planets Suite: Jupiter" by Gustav Holst.
After listening to these works, Whitney commented that she was able to hear individual instruments, even to the point of hearing each entrance. From low instruments and brass to the highest sound in the orchestra, the piccolo, she was able to hear every detail and articulation.
Lorenzo Sanchez chose a string quartet by composer Dmitri Shostakovich and a symphony by William Grant Still. Sanchez described the sound as "very clean" and was even able to pick out the viola part distinctly.
When comparing them to his Sony WH-1000XM4 he prefers the sound adjustment options the Sony offers like EQ, but says the clarity of individual instruments comes through on the AirPods Max.
Having performed in the Imperial Symphony for 30 years, Jennifer Stahl has plenty of live performance experience. As she listened to "Fanfare for the Common Man" by Aaron Copland, Stahl claimed it sounded as though she were "in the middle of the stage" with musicians "sitting right next to her".
In their closing thoughts, each described how using AirPods Max may change their listening habits. Whitney Robles claimed that she would have kids listen to orchestral works using these to pick out specific instruments. Given that many orchestras are still unable to perform in-person, these headphones provide a "live performance" feel when listening.
Jennifer Stahl, while initially surprised at their cost, says they're worth it. She listens to music often at home, but if she had the AirPods Max Stahl says she would listen more often and find greater enjoyment.
Our thanks to the Imperial Symphony Orchestra and its musicians for collaborating on this classical musician take of the AirPods Max. You can read the full AppleInsider review here and find the latest price guides on our site.
You can also listen to the classical works used in this video on Apple Music:
Stay on top of all Apple news right from your HomePod. Say, "Hey, Siri, play AppleInsider," and you'll get latest AppleInsider Podcast. Or ask your HomePod mini for "AppleInsider Daily" instead and you'll hear a fast update direct from our news team. And, if you're interested in Apple-centric home automation, say "Hey, Siri, play HomeKit Insider," and you'll be listening to our newest specialized podcast in moments.
Read on AppleInsider
Comments
The question is, how do they rank vs. top performing headphones, and, no, e.g. BOSE isn’t among them.
The question is: how much fidelity is lost to wireless convenience, active noise cancellation, etc. and how much realism is gained by head tracking.
What are the pros, cons, trade-offs, the unique features, the me-too features, etc.
Listening to a single set of headphones in isolation is pretty much meaningless. Maybe you should leave tests like these to the folks who have tested audio gear for years and know what they are doing…
A classical musician I once knew told me that, within reason, she didn't care too much about the sound reproduction quality. It's the music and the performance that she listens to.
I have headphones costing many thousands of $$. I currently have eight different head sets.
AirPods Max are THE best set of cans for sound quality and clarity that I have ever had. And I’ve been listening to music on quality headphones for over 30 years!
Oh, wait. It didn't.
or
random nobody on a rumour forum.
I don't think this will change my listening habits but I'm pretty surprised that I could hear such a difference. I don't have any intention of buying AirPods Max but now I wonder how they compare.
The point is, encoding is not really contributing in a meaningful way to whatever minor weaknesses the AirPods Max has. I own a pair, and my only gripe with them is the slightly overdone high frequency lift they have above 8kHz. (Which isn’t an issue for most acoustic music, but it is for most pop music.) Other than that, they are without a doubt the best wireless headphones I’ve ever used. Having tried many. They hold their own with any closed back headphones out there, wired or not. (I personally prefer open-back headphones for critical listening.)
(For what it’s worth, I work in pro audio as a recording and mix engineer. Audio fidelity is my bread and butter.)
Unfortunately, I am limited to the more technical approach of a life-long audiophile. For almost fourty years, my daily drivers have been various sets of Stax open back electrostatic headphones with their dedicated amps. Each set cost me a lot more than the Airpods Pro Max.
Because my wife liked the looks of the blue Airpods Pro Max, I order her a set, engraved with her name. She lets me borrow it, so I had a chance to do a long and detailed comparison (high-end equipment, audiophile recordings that I've heard many times, equal volume, etc.). This is my personal opinion:
- the Stax do not sound better than the Airpods Pro Max
- the Airpods Pro Max do not sound better than the Stax
- the Airpods sound more pleasing, easier to listen to, substantially thicker bass
- the Stax sound lighter, fresher, more dry in the bass, but make me tired of listening sooner
- the amount of detail is very similar
- distortions and noise are equally low to nonexistent on both
- I prefer the open cans of the Stax
- I prefer the wireless connection and easier handliing of the Airpods Pro Max
- both are comfortable earphones
- the higher weight of the Airpods Pro Max is not a problem, but heat is
Not bad for a $600 headphone!