K_C

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K_C
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  • First on iMac, iPad Pro & iPhone 7, Apple's vibrant wide color tech now comes to MacBook Pro

    K_CK_C
    bvhmac said:
    P3 is still not Adobe RGB and leaves out intense oranges and greens. The only proper way to edit photos is on an AdobeRGB compliant monitor, not a laptop screen.
    Blunt said:
    bvhmac said:
    P3 is still not Adobe RGB and leaves out intense oranges and greens. The only proper way to edit photos is on an AdobeRGB compliant monitor, not a laptop screen.
    Greens you may be right. Oranges no way. P3 delivers some colours outside of the Adobe RGB space. Troll post?
    Please see this post and look at the photo of the orange BMW. P3 still leaves out some of the oranges, but as you mentioned it's far worse in the greens. I am not a troll, I am a former (happy) Apple employee and professional photographer, and I ordered one of the new MacBook Pros. I speak the truth about color management. It still comes down to doing it right on a calibrated monitor capable of AdobeRGB color, such as some of the NEC, Eizo, or Benq models. http://www.astramael.com
    So, NEC, Eizo or Benq monitors can be calibrated to AdobeRGB profile, but the new Macbook Pro monitors can't be calibrated to AdobeRGB, is that your point?

    The article is about the monitor of the new Macbook Pro, not a general comparison of the monitors or color spaces. You are in the wrong article.
    The huge leap of faith in the article is the statement, "Apple now allows photographers to see accurate reproductions of their work regardless of where or how they choose to get work done. " Which simply isn't true. Improved, yes. Accurate, not even close.