Marvin

hogman said:

All I got from this is, how does a monitor cost $30,000? Especially when all the monitors I see in hospitals display simple graphs and numbers.

It's similar to reference monitors for movies. Apple compared their XDR displays to $20000+ reference displays from Sony. They tend to have better calibration and features for their use cases.

https://www.monitors.com/collections/surgical-displays
https://www.monitors.com/collections/surgical-displays/products/barco-mdsc-8358-k9307938

https://synergymedco.com/product/sony-lmd-xh550mt-55in-4k-3d-2d-lcd-medical-monitor/ (medical features listed)
https://www.medicalecart.com/products/sony-lmd-xh550mt-55-inch-4k-3d-2d-lcd-monitor-high-performance-medical-monitor-box-of-01.html

Low glare, picture-in-picture, 3D image input, color accurate, designed for easy cleaning for hygiene etc.

nubus said:

charlesn said:

As for Vision Pro being a dud--that's hilarious for a product that has been in the hands of consumers for all of 32 weeks. Please cite fact-based sources for its "failure" that include Apple's actual internal projection for sales and how actual sales have fallen short of that number. 

AVP was presented in June 2023 and 16 months later all we get are quarterly dino videos. The current hardware / pricing / positioning is a failure. Most developers and customers have long forgotten AVP and so have most of us at AI. AVP is what happens when a non-product, non-founder CEO decides to invent the future of computing. We have been here before.

tipoo said:

Now if only Apple dropped a bag of cash at Valve to bring that ARM Proton port to macOS natively, so that Steam games "Just Work" on macOS...That's the dream. 

This is currently available to an extent due to Apple's Game Porting Toolkit, which uses Wine like Proton and has a DirectX to Metal translation layer.

Valve's Proton has a DirectX to Vulkan translation layer (DXVK), which would need MoltenVK to convert to Metal as Mac doesn't support Vulkan directly.

Crossover and Whisky integrate Apple's D3DMetal translation to run Windows games like Proton. It supports a lot of games, there are over 500 games tested on the following channel:

https://www.youtube.com/@macprotips/videos

It supports higher-end recent games like Horizon Forbidden West:



The only problem with this setup is you have to install Steam inside the compatibility layers, then install the games inside this, sometimes with patches. It's not very user-friendly.

If it was possible to use either the App Store or native Mac Steam and install a pre-wrapped version of each game that is already setup and tuned, that would be much easier and a license per install could be paid to the company that provides the wrapper if it's from a 3rd party.

chasm said:

The "Harry Potter" models are interesting, but I don't quite understand why "Harry" always looks freshly beaten up in the graphic provided.

entropys said:

AppleZulu said:

entropys said:

chasm said:

entropys said:

Writing by committee is no doubt a key factor in the malaise plaguing Hollywood these days. That and risk averse studios doing remakes, sequels and having series run way beyond their use by date.  

I think you misread the article somewhat. Stewart is arguing FOR writing by committee, but that’s not how most streaming shows work — scripts now are generally written by a single person or a very small team (two, three people tops).

Your comments on the problems with risk-averse studios, however, I heartily agree with.

Oh, I didn’t read it wrong,
I just whole heartedly disagree with Stewart’s view. In fact his whinging he only had four writers instead of his usual 14 seemed like a “let them eat cake” moment. 

Each story as a general rule should only have one writer. One.  maybe I would admit a writer and an apprentice. But that’s it. 

This is why we can’t have nice things. People who have no comprehension of how something is made or done come in as management and treat everything like interchangeable widgets. They walk in, look at a process they know absolutely nothing about, slash staff and costs, then wonder why the result is terrible. 

So you fire all but one and a half of the writers and demand that they “produce content” on a tighter deadline. You only register the lower quality when viewership falls, because as a widgeteer, you have no idea what’s funny or not. 

Next, you fire the writer and keep the less expensive apprentice. Things get worse. You threaten to replace the apprentice writer with AI, which ironically “produces content” by distilling and regurgitating the output of all those writers rooms that used to exist, but algorithms have no actual sense of what’s funny, so that “product” stinks as well, and nobody’s watching your more efficiently managed show any more. 

But sure, you know more than the “whinging” Jon Stewart, who has nurtured and shepherded a writers room that produced a generation of the top comic actors and writers who have themselves gone on to collectively produce billions of dollars worth of the best comedic “content” in the last couple of decades. 

Of course, you’ll be oblivious to what you’ve destroyed and file a report on how you saved money, first by cutting the 14 writers, then by closing down a failing production unit. Your fellow widgeteers will reward you for all the money you saved and give you a huge bonus. Next thing you know, you’re a hot commodity hired by Boeing because they need an expert Vice President of Widgeteers to slash costs to meet their mysteriously falling revenue. 

It isn’t about money, I just don’t believe you can be creative by committee. You don’t get a work of art with 14 people working on it at once. Heck I would be happy if the one writer got paid as much as the 14 currently do cumulatively, if the product was good.

Writing by committee is the path to mediocrity.