Apple fighting movie studios to keep 4K films priced at $20 on iTunes
Ahead of the anticipated launch of a new Apple TV with support for ultra-high resolution 4K video content, Apple is said to be caught in a contract dispute with movie studios, who want to see iTunes prices for 4K films exceed $20.
Apple typically charges around $19.99 for new high-definition movie releases, available in up to a 1080p resolution. But for the jump to 4K, studios want to see Apple charge $5 to $10 more, bringing prices potentially as high as $30 for new releases, according to The Wall Street Journal.
The ongoing negotiations are likely in the midst of crunch time, as Apple is gearing up for a Sept. 12 event where the company is expected to announce a new Apple TV with 4K and HDR, as well as an "iPhone 8" and "iPhone 7s" lineup, and new Apple Watch with LTE connectivity.
On the technical side, Apple has been gearing up to begin providing 4K content through iTunes. But what it will charge for that content remains a mystery.
Not all studios are pushing for higher prices, however. While one executive who spoke with the Journal said they wouldn't tell Apple how to price their iPad lineup, a separate unnamed studio representative noted that Netflix subscribers already receive streaming 4K content for $12 per month, making a $30 movie purchase on iTunes a tough sell.
Earlier this month, lines of code discovered in Apple's HomePod firmware revealed the tech giant is working on a next-generation Apple TV that boasts support for 4K video and HDR in both 10-bit and Dolby Vision formats. The information fell in line with a February rumor claiming the hardware refresh carries the codename "J105," a designation most recently seen in the seventh iOS 11 beta release.
Apple typically charges around $19.99 for new high-definition movie releases, available in up to a 1080p resolution. But for the jump to 4K, studios want to see Apple charge $5 to $10 more, bringing prices potentially as high as $30 for new releases, according to The Wall Street Journal.
The ongoing negotiations are likely in the midst of crunch time, as Apple is gearing up for a Sept. 12 event where the company is expected to announce a new Apple TV with 4K and HDR, as well as an "iPhone 8" and "iPhone 7s" lineup, and new Apple Watch with LTE connectivity.
On the technical side, Apple has been gearing up to begin providing 4K content through iTunes. But what it will charge for that content remains a mystery.
Not all studios are pushing for higher prices, however. While one executive who spoke with the Journal said they wouldn't tell Apple how to price their iPad lineup, a separate unnamed studio representative noted that Netflix subscribers already receive streaming 4K content for $12 per month, making a $30 movie purchase on iTunes a tough sell.
Earlier this month, lines of code discovered in Apple's HomePod firmware revealed the tech giant is working on a next-generation Apple TV that boasts support for 4K video and HDR in both 10-bit and Dolby Vision formats. The information fell in line with a February rumor claiming the hardware refresh carries the codename "J105," a designation most recently seen in the seventh iOS 11 beta release.
Comments
The problem they will have is with Apple having a least a two-prong approach to forcing their way, reduce old-line studios and production houses profits by demanding lower prices while trumpeting the benefit to consumers (!), and at the same time using some of the Apple $B's to start their own shows and movies to compete with and replace them. IMO bending now would seem to play into Apple's plans to be the major force in video too just as they were in music.
Do consumers really want to own movies anymore?
Surely music subscription services like Spotify and Apple Music have reduced the amount of music piracy significantly because the subscription is reasonably priced.
The same model for movies would surely help reduce movie piracy.
A smaller amount paid by subscribers is far more profitable than charging a larger amount to few subscribers.
How come Apple Music has all the music releases (well I've not found any music I want to listen to that isn't on Apple Music) and movie releases would be fragmented?
There's likely a price where this becomes feasible for the content owner, but is that price feasible for the customer? Would $50 per month satisfy content owners? How would that be broken up? I don't think I'd pay that much unless downloads were still possible and I'd use it on the rare occasion where I planned ahead for some occurrence that kept me from having access to streaming content for awhile. I recently purchased MoviePass which is only $10 per month, but there are restrictions that I don't think are possible for streaming content.
Or (for tv) when they're repackaged as a set vs individual seasons and demand drops.
Rip them for Kodi or Plex, and stash them away.
Don't care for streaming vs playing locally.
I'm probably old school.
I usually purchase SD videos as to my eyes they don't look much if any different to HD on an iPad or TV screen. A small file size is quicker to download to an iPad for later viewing. Also SD tends to be cheaper. Would l pay 3 times the price for 4K which probably is too big to download to my iPad or choose 3 SD films for the same price? Probably l will stick with the cheaper SD.
Additionally, will Apple provide HEVC/H.265 for any other tier besides 4K? Will the 4K tier also get H.264 content as an option?
Content owners may not like that. You can look at not only the history of HD content, but content in general to see how content owners can be a huge pain the ass to distributors right back to VHS tapes and video rentals.
That is the most logical however, there is nothing logical about an impulse purchase that someone makes because they just got their brand new 4k big screen TV. The studios and Apple are banking on this overlap period of a few years until the market is saturated with enough 4K TVs and appliances. Then the prices will adjust to their logical end.
As fewer and and fewer people "buy" movies, studios will have less incentive to refuse to license streaming rights to their newer and more popular titles, and they will probably just sell to the highest bidder. If we end up with fewer mediocre big-budget movies about superheroes saving the world from destruction, so be it.
I think the the music streaming model seems to be working out pretty well, all things considered. My friends who were making a living with music pre-streaming are still doing every bit as well, but like most recording artists, album sales were always a small part of their income--it's mostly live shows and licensing. And streaming services are probably at least as good as the average record store for helping lesser-known musicians to become recognized.
It's different for movies of course, but as streaming services grow, there will be more money to go around. If studios have to take a chance on an undiscovered talent rather than paying millions to an established star, that won't be so bad. And I'm with Sog on this one--if you have a good story, you don't need a ton of CGI.