Photoshop rival Pixelmator Pro gets new export & color tools, Touch Bar support on MacBook...
Pixelmator on Thursday released a major update of Pixelmator Pro for the Mac, adding features such as Touch Bar commands on the MacBook Pro, and a slew of automatic color adjustments.

The new Touch Bar commands vary based on the active tool, for instance letting users pick brush colors or effect presets. Automatic color tools include Auto Lightness, Auto White Balance, and Auto Hue and Saturation, enabling single-click adjustments for common situations. Similar options are a staple of Adobe Photoshop, Pixelmator's main competition.
Other significant additions to Pixelmator Pro include a Slice tool, which lets people divide an image into several and modify each portion. A heavy emphasis of the update is on export, with options like Export for Web, the creation of Export Presets, and a Quick Export command that uses frequent settings. "Save for Web" is fundamental component of Photoshop.
The app can now also export to HEIF, and both open and export SVG vector images.

Smaller improvements include a Select Color Range tool, live previews when manipulating text or layer blends, and a Tutorials section intended to better acclimate newcomers.
Photoshop is typically considered an industry standard, almost mandatory in graphics and photo editing. That software is only available through a Creative Cloud subscription though, whereas Pixelmator Pro is a one-time purchase.
Photoshop retains some advantages, such as 3D creation tools and even animation. Creative Cloud subscribers also get access to Lightroom, photo workflow software that can simply batch editing and processing.
Pixelmator Pro costs $59.99 for new users. For existing owners, the update is a free download via the Mac App Store. By comparison, Adobe's Creative Cloud Photography plans start at $9.99 per month with 20 gigabytes of storage, growing to $19.99 or more with storage at the terabyte-plus level.

The new Touch Bar commands vary based on the active tool, for instance letting users pick brush colors or effect presets. Automatic color tools include Auto Lightness, Auto White Balance, and Auto Hue and Saturation, enabling single-click adjustments for common situations. Similar options are a staple of Adobe Photoshop, Pixelmator's main competition.
Other significant additions to Pixelmator Pro include a Slice tool, which lets people divide an image into several and modify each portion. A heavy emphasis of the update is on export, with options like Export for Web, the creation of Export Presets, and a Quick Export command that uses frequent settings. "Save for Web" is fundamental component of Photoshop.
The app can now also export to HEIF, and both open and export SVG vector images.

Smaller improvements include a Select Color Range tool, live previews when manipulating text or layer blends, and a Tutorials section intended to better acclimate newcomers.
Photoshop is typically considered an industry standard, almost mandatory in graphics and photo editing. That software is only available through a Creative Cloud subscription though, whereas Pixelmator Pro is a one-time purchase.
Photoshop retains some advantages, such as 3D creation tools and even animation. Creative Cloud subscribers also get access to Lightroom, photo workflow software that can simply batch editing and processing.
Pixelmator Pro costs $59.99 for new users. For existing owners, the update is a free download via the Mac App Store. By comparison, Adobe's Creative Cloud Photography plans start at $9.99 per month with 20 gigabytes of storage, growing to $19.99 or more with storage at the terabyte-plus level.
Comments
i also started with the full Adobe suite in the early ‘90’s (whenever it actually came out), having to budget enough money to cover several dozen artist, designers and photographers. It wasn’t easy going from the art board to the computer. It also wasn’t cheap.
Not much, mostly digital. But, the last times I did, I used Pixelmator (not even Pro) and then converted to CMYK for the printer (not even sure I'd have to do that anymore). It worked for what I was doing, but I could see wanting a smoother workflow if you did it much.
Yeah, I don't know what's up there. Is it a matter of who spends enough in ad revenue, or journalists just aren't aware of Affinity? I'd like to see more inclusion/comparison of it in these kind of articles instead of just PhotoShop comparison. (And, I don't just mean AI... this seems to be a trend across Mac media.)
Yeah, that and if you aren't working for yourself, nearly every job requires PS experience, so you're distancing yourself from employment.
The one feature I really miss is Smart Object compatibility.
I still hear people saying they can’t use the iPad for serious work. I see the problem as often the person being used to working a certain way that they can’t do on an iPad so they conclude they can’t do the work, when instead it just needs a shift of mindset about how to do the work (I did my dissertation on the iPad 1 and received a special mention for presentation!).
So I wonder how much of a complaint against Pixelmator Pro has to do with being unable to do the needed work or if it’s an inability to just ‘work differently’?
I also tried to use an iPad 2 for about a year and a half as my sole mobile device. It was mostly fine for research and writing, to a point. But, trying to do thing like building and managing websites, or like the CAD/3D animation work I used to do, it wasn't up to that kind of stuff. Even now that iPads are much more powerful, the problem is still the UI, lack of tools, and productivity/workflow hits.
Or, if you have to work with people using certain programs in terms of compatibility or group collaboration. Or, if using certain kinds of content, for example the libraries of After Effects templates and projects, etc. (Or the files that support Smart Objects I mentioned above.)
Also, regarding iPad vs Mac, if you still have to use a Mac or PC, then you're generally supporting two different workflows to get your stuff done, both at the OS/UI level, but often in apps. That creates a lot of overhead.
I ended up using Affinity’s products.
You are partially correct. It is bloody hard to switch after getting on for thirty years using a program almost daily. That said it's not just learning curves, there are still certain features missing for some users but for sure, Affinity is getting there and of course, best of all the pricing is great and it isn't using the dreadful rental system to use it that Adobe have adopted for their share holders' benefit. Plus I almost forgot, Affinity make 100% Mac programs in every way, not a PC programs running in a Mac environment. That last bit always annoys me given how Adobe got their start!
Yes, Pixelmator has made it clear that they want you to work in RGB and only export to CMYK at the end - because they think it best - and apparently they never plan to support working in CMYK. That's not how I work, so I didn't bother to upgrade to Pro.
I bought Pixelmator at the outset to encourage alternatives to Adobe, but I'm a print guy. Doesn't work for me but I wish them well.