funwithstuff
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Just about every iPhone 16 Pro camera detail has been leaked
Shooting in a higher resolution than you plan to deliver allows you to crop into the frame without compromising the image quality. I do this all the time on my Lumix GH6, which lets me shoot 5760x4320, using the whole 4:3 sensor, in "open gate" format. I can then punch in to deliver 4K widescreen or portrait if the client requests it.The other use case is for delivering direct to the Apple Vision Pro, one of the few displays that can display images bigger than 4K.
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Final Cut Camera delivers for mobile filmmakers with manual controls & iPad multi-cam
You can 100% use FCP for iPad to create a multicam, and then move it across to the Mac version and edit it there. Pretty seamless.9secondkox2 said:If it doesn’t work with the Mac version, it’s worthless.
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Final Cut Camera delivers for mobile filmmakers with manual controls & iPad multi-cam
You can use Final Cut Pro for iPad with Final Cut Camera on devices that aren't connected to the same Apple ID — not sure what was going on for you. It's definitely possible to ask friends to download the app and then join your multicam session.
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Apple Vision Pro finally on sale outside the US
Overseas currency conversions include a small % amount to hedge against exchange rate changes, but most of the difference is because GST/VAT/sales tax is built in to most advertised prices, while it's not in the US.ravnorodom said:It baffles me that customers outside U.S. went for it despite it costing $500 more than the States. Apple product hype is no joke 😲For example, using Spotlight exchange rates, US$3500 = AU$5248, but we have 10% GST here, so ~$5773, and it's rounded up to $6000. Yes, it's slightly more expensive, but not US$500, and we do have better consumer rights too (i.e. longer warranty terms based on how long a product "should" last).
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Canon's RF-S dual fisheye lens will help produce Apple Vision Pro video
Very confusing of Canon to release two 3D lenses at nearly the same time, but the larger lens version you've shown here is the "RF-S 3.9mm f/3.5 STM":The one shown in Apple's keynote is for Spatial 3D capture that's not "Immersive", and it's the "RF-S 7.8mm f/4 STM" shown here: https://petapixel.com/2024/06/10/apple-promoted-an-unannounced-dual-lens-canon-optic-coming-this-year/
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Third episode of 'Adventure' immersive video series dives onto Apple Vision Pro
Agreed that existing camera systems don't have enough resolution. Canon's own executives are on record saying we need a 100MP sensor at 60fps. The Explore POV app does a good job, but it's upscaling 8K to 16K and just getting there. Blackmagic's camera just opened pre-orders and it's the one we need: 117MP at 90fps! I wrote about it here:And right now, FCP 11 doesn't have built-in support for Immersive 180° 3D: Immersive and Spatial are both 3D but they're not the same. You can do 360° 3D if you muck around with the custom project settings, but FCP can't edit 180° yet. Spatial means a narrower field of view (like feature film 3D) but not 180°. I wrote about that here:
